Nightlife Portfolio

Thursday, March 20, 2008

Going Pro - Keep Your Head In the Clouds

Paul Oakenfold DJ Monk DJ Craze RITM: Bunny in a Ball with Glowsticks Tommy Lee

My mother used to tell me to get my head out of the clouds all the time. I was always cooking up crazy business ideas, or working on music, or drawing, and I always had an unfaltering faith that no matter what I chose to do with my life, I could figure out what it takes and make it work. I still have the same faith. I'm not going to lie to you. It's hard work, often thankless work bootstrapping a new business. Budgets are so small as to be almost unmeasurable. Little things like how to replace the flash that got knocked over can seem like insurmountable obstacles if you let them.

Key words -- if you let them.

This is a mental challenge; a test of your will. If you have what it takes, you will come out the other side of this gauntlet with solid foundations on which to build something that resembles a life not just survived, but well lived. I like living life with my head in the clouds. The air up here is a bit cleaner, and looking down from way up high at the big picture, something like a broken flash doesn't seem like the end of the world. Just another milestone on a beautiful path, full of twists and turns. I live for the challenges. I welcome them. I thrive on coming up with creative solutions. Want to make a photo book? Try funding it with pre-sales. Want to break into sports shooting? Volunteer for the local little league to get your portfolio started. I currently have what might seem like an insurmountable problem. I have a lot more work on my plate than I can handle on my own, and this is the sort of work that really needs to get done. That's not the problem, though. The problem is that I'm still in bootstrap mode, and I simply don't have the budget to hire employees and pay benefits and an hourly wage.

I could stumble on this obstacle. I could give up and decide I just can't hack it as a photographer because "it takes money to make money". Or, I could look at what I do have -- a solid reputation, great connections, a strong network of friends, and a lot of knowledge to share. The solution to this problem was a college internship program. Offer school credit for hands on training in a real photography business. No, this business doesn't have the best cash flow, but I can get interns VIP access to big shows, give them a chance to meet people who genuinely are successful. Let them associate and do business with people who have been there, done that, and made a thriving career of it. That's how to pay them. Reward them with the faith that a kid from nowhere with a dream can look at the big bad world, take it on, and become a productive part of it. Maybe when they've talked to photo editors from influential mags, and met major celebrities and discovered that they're real people -- maybe after all that they'll catch the bug, boldly thrust their heads high into the clouds, and realize that there is always a solution. If you have a dream, and you relentlessly pursue it in spite of all the warnings from concerned friends and family, you can make it come true.

"What you're doing by being a successful creative is violating all the rules of business already, so forget about realism." - Leslie Burns-Dell’Acqua

Realism? Who needs it? All due respect to my mother, I think I'll keep my head in the clouds for just a little longer. Come and join me, if you're not afraid of falling.

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Going Pro - Say "No" Gracefully

Sad News

You should learn to use the word "no" as a tool to shape your portfolio and your future career. Take work that could be used in your portfolio to land your dream job, and turn down the work that doesn't excite you. It helps keep your portfolio looking fresh, sharp, individual, and creative to photo buyers, and it keeps you sane. The trouble is, how do you say no to a job without offending the client?

Turning down a job doesn't have to be a heart wrenching experience, with sad faces and gnashing of teeth. One way to say no without being offensive is to quote a high price for your services. When somebody asks you how much you would charge to shoot, don't allow yourself to think about how much they can afford or how much you think other photographers would charge. Think, "how much money would it take to make me excited about this job?" The funny thing is, I've had some clients enthusiastically agree when I was trying to turn them down gracefully by quoting a high price to them. I just smiled and ran with it, and what could have been a nightmare if I felt like I was wasting my time turned out to be a good experience for everyone, and it gave me hope, by proving to me that there really are people out there willing to pay a premium for a pro, even when there are hordes of amateurs out there happy to work for free.

I've turned down three jobs this week using this method, and no tears were shed by anyone. If you think I'm crazy for turning down paying work -- watch this space. You're gonna love the jobs I said "yes" to!

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Monday, December 10, 2007

2007-12-06 Funding Universe Speed Pitching Event

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Brock Blake, FundingUniverse CEO.

Six VC tables. Lots of brave entrepreneurs looking for funding. Which of these fledgling companies will get funded? The entrepreneurial spirit is alive and well in Utah. At the Funding Universe speed pitching event, entrepreneurs have seven minutes to pitch their business plan, answer questions, and get valuable feedback from investors. From the perspective of an entrepreneur, I learned a lot about the importance of having your elevator pitch down pat, having good answers for important questions, and networking.

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Wednesday, August 8, 2007

The Best of All Worlds: Flickr, SmugMug, PhotoShelter, Zazzle

Here's my wish-list for a turnkey web-application for professional photographers. I want all of this in one website and I suspect I'm not alone. I've listed the services that do the best at these things, in order from best to worst implementation, in my opinion and to the best of my knowledge.

  • The ability to publish HTML content to my own server. AJAX/web services could be used for things like the shopping cart and highly interactive features. Images should be optionally fetched from remote servers, as there could be far too many for a typical shared hosting provider. AFAIK, nobody is doing this, although SmugMug lets me point a domain to them -- a good start
  • The ability to sell high-quality prints, and set my own prices (SmugMug, PhotoShelter)
  • User friendly shopping cart/checkout (SmugMug gets the nod, here; Photoshelter lacks crop preview/edits)
  • Automated license sales based on industry-standard prices, for stock photography sales (PhotoShelter doesn't seem to have any competition here, implemented via integration with FotoQuote)
  • The ability to organize photos using tags and galleries (1st place: Flickr, 2nd place: PhotoShelter, SmugMug takes a distant third because it's not easy to put the same photo in multiple galleries... hint to SmugMug's developers, "many to many")
  • The ability to sell many other products: Specifically, posters, books, calendars, etc... (Zazzle.com wins here, but doesn't let me set whatever price I like)
  • User friendly gallery/tag browsing, and search (Flickr)
  • Sort photos by date, views, number of comments, rating/favorites, etc... (Flickr)
  • Community interaction, group photo pools and discussions, contact management, etc.. (Flickr is the clear winner here, and I think the guys at SmugMug dramatically under-estimate the potential for professional photographers to earn peer prestige and make business connections via community features)
  • The ability to customize the gallery (SmugMug, PhotoShelter, Zazzle)
  • Booking calendar so people can check booking availability and pay a small fee to reserve their date
  • A simple invoicing solution that lets customers track their invoices and pay for photo shoots online
  • Coupon code and link-based referral/affiliate program to reward customers who tell their friends

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